“The Dilemmas of Radical Nostalgia in British
Psychogeography”
by Alastair Bonnett (2009).
This paper seeks to compare and contrast “the use of the past to critique industrial modernity” and the “suppression of nostalgia” (p45). He explains that radical politics of either side doesn’t like nostalgia as it stands in the way of progress, and he links psychogeography with trying to understand the past; radicalism moves on, but psychogeography is of itself avant garde so it seizes on what’s not in fashion, i.e. nostalgia.
This is all interesting
but not directly related to what I’m doing. Of more interest is that it gave
quite a lot of useful information about Iain Sinclair and his influence causing
British psychogeography to become nostalgic, which Richardson had mentioned; in
the mid-1990s psychogeography had a “quixotic, love-hate relationship with the past”
(p47). I think we all probably do, to be honest. Bonnett also pinpoints the feelings of loss
for place as society moves on and the everyday space changes: “within
avant-garde praxis, it was at the level of everyday space, especially of the
changing urban scene, that we find nostalgia most forcefully asserted”(p52).
This is much more pertinent for me as I try to find traces of my heritage and identity
within various places around Leeds. There is a definite sense of nostalgia, and
possibly psychogeography has (is?) more concerned with nostalgia and the past
than I had thought; I had found it to be more about connecting with the
environment and allowing open-ness to new experience. But perhaps the fact that
you are walking in a place that many people have walked before you means you
are just part of an ongoing palimpsest of passersby.
Tellingly, Bonnett
states that “Contemporary British psychogeography may be viewed as a creative
space in which feelings of loss and redemption are explored and negotiated”.
This can be extrapolated to mean a physical space or a mental space (“headspace”),
and possibly other types of space I haven’t thought of yet. But it is very much
a creative space, a thinking space, a linking/connecting space. The visual
outcomes that I’ve been producing for the past 9 months all depend on
psychogeography of some kind, whether through an actual wandering or an item of
interest seen on a car journey.
Bonnett also
touches upon the idea of the power structures which bind us and whose
disruption fuelled the original derive. These are easily forgotten as the
walker takes the urban wandering with their own viewpoints, but if we stand
back they too can reveal something of the hidden. One thing I never commented
on during the seminal Armley walk was the fact that some workmen (they all
seemed to be men) were building the new Bradford – Leeds cycle superhighway on
Armley Road. Quite why we need to spend so much money and disruption on this
(bus stops removed, 10 passengers waiting in the rain, whilst one cyclist goes
past once in a while) is not for me to answer, but the answer must lie in some
political power construct somewhere.
Possibly the most
pertinent statement comes in Bonnett’s conclusion; “attachments to the past and
feelings of loss becomes sites of repression and potent resources for
resistance and technique”(p63). I believe he speaks here to (at least part of) what
I am trying to do; to critique and resist the loss caused by the
deindustrialisation of Yorkshire.
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